skip to main content

You Are Here: Home / Learning / Science, Technology and Nature / The World Around Us / The science of music
 
The world around us
 

What Makes A Sound Musical?

 
01
Blowing your horn - but why is this musical?

About our expert

Dr. David Sharp is a lecturer in the Open University Acoustics Research Group. His doctoral thesis was on acoustic pulse reflectometry for the measurement of musical wind instruments. He is currently involved in the development of various acoustical measurement techniques and is supervising investigations into the effect of wall vibrations on the sound of wind instruments and into the importance of the crook to the playing properties of the bassoon.

What are you saying?

Animals make sounds: hooting, croaking, bleating, chirruping. But why all the noise?

Spine-touching

Simon Callow considers why some music can create a physical reaction: what creates that tingle factor?

All join in the chorus

With computers taking the place of recording studios, we can all be stars. Find out how we're jamming.

Related programmes

Musical sounds can be thought of as having three defining characteristics: pitch (or lack of it), loudness and timbre.

Pitch
If a sound source vibrates in a regular manner, it produces a pressure wave which is made up of a periodically repeating pattern of compressions and rarefactions. This is interpreted by the human ear as a note of definite musical pitch. The pitch of the note - that is, how low (bass) or high (treble) the note sounds – is determined by the frequency, or number of times per second, at which the pattern of compressions and rarefactions repeats. Examples of instruments which produce pitched notes include the violin, flute and piano. These instruments tend to be used to play melodies or tunes.

Notes without a definite sense of pitch are produced when a sound source vibrates in a random manner, producing an irregular and chaotic pressure wave. Such notes tend to be produced by percussion instruments like the snare drum, the cymbals and the maracas. Unpitched notes can still be considered to be musical sounds – they tend to be used to emphasise the rhythmical structure in a piece of music.

Loudness
The loudness of a sound is largely determined by the size, or amplitude, of the vibrations of the source producing it. However, it also depends on the pitch of the sound, with the human ear being less sensitive both at very low frequencies and at very high frequencies. In a musical passage, variations in loudness are used to add extra interest for the listener.

Timbre
The timbre of a musical note is the quality or character of the note. It is the timbre that allows the human ear to distinguish between sounds which have the same pitch and loudness. Differing timbres ensure that we are able to distinguish between notes produced by, say, the flute and the viola.

Most sound sources vibrate at several frequencies simultaneously. The additional frequencies present in the sound wave produced by such a source are called overtones or harmonics. The relative strength of these harmonics plays a large part in determining the timbre of the sound. However, it is not the only factor. For example, time-varying aspects of the sound are also important. In particular, the nature of the attack or onset of a note plays a vital role in defining its timbre.

 

Bookmark with:

  • del.icio.us
  • Digg
  • Facebook
  • Newsvine
  • NowPublic
  • Reddit
  • Stumbleupon
Please wait while loading. You must have JavaScript enabled to view star ratings.
 

Comments

Please wait while loading. You must have JavaScript enabled to view comments.
 
 

Explore Open2

Cucumber slices

Dick Skellington explains why a new cast for Cluedo is the first harvest of the cucumber season.

Yemen

What devious ends could be sought by attempts to promote Salmon Fishing In The Yemen?

Rock pool

Bringing our calendar to life: Woodmice, salmon and mallards.

 
 

Site info and help