The BBC Radio 4 soap, The Archers, which was set up after the second world war to provide public information to provide advice and guidance to rural communities and farmers, has recently featured a big story on fraud. It’s chance, although I wouldn’t bet on it, because, unlike some of the poker playing Archers’ characters who are involved in the current narrative, I’m not a betting person, but the current storyline coincides with Radio 4’s series on 'White-Collar Crime' on Thinking Allowed.
This is white-collar crime: it involves a £5million fraud case
This is white-collar crime: it involves a £5million fraud case. The main protagonist, businessman and wheeler dealer Matt Crawford, has a chequered past and has come up the hard way, unlike his clearly middle-class partner, Lillian, who is not involved in the case, except through her emotional relationship with him. Lillian is a member of the eponymous, largely affluent, Archer family of local farmers, who also mostly occupy the moral high ground, as well as owning much of it: she is also the widow of a wealthy man. Matt has struggled and, whilst on the right side of the law, was tolerated by the local land consortium, Borsetshire Land, but having transgressed, or at least been caught, he is marginalised. In spite of Lillian’s hopes for leniency, he has been sent to prison; ‘Take them down!’ said the judge and listeners were faced with the speed of sentencing and its finality, however well-off the offender.
Matt and his business partner at TWJ bank, Stephen Chalkman (Chalky), receive custodial sentences, and Lillian is left weeping loudly. Matt not only has the reassurance of her fidelity, but also that of earlier storylines, where characters with much more clearly working-class credentials have been reinstated into the community following release from prison. For example, Susan Carter was imprisoned as a result of protecting her brother, the infamous Clive Horrobin, armed robber and hostage-taker, at an armed raid on the Ambridge village shop. Susan currently manages the shop and post office and plays a key role in the community. However, such stories are haunted by class. Matt was never quite accepted; Susan is just the best of a rough family, a fragile step away from social exclusion.
Soaps often engage with social issues, usually with dramatic hyperbole but The Archers offers some more nuanced, complex coverage. The programme, which has a tradition of dealing with big issues: from racism, the rural economy and economic recession to dementia, family breakdown and sibling rivalry, does not limit itself to rural or agricultural matters. It deals with big issues (Woodward, 2009), such as class, family, kinship, place, diversity and inequality, which intersect in different ways, through the lens of personal experience.
Soap opera can do something to engage with the detail and affect of social phenomena
Soap opera can do something to engage with the detail and affect of social phenomena like white-collar crime in complex ways. As the sociologist C.Wight Mills argued (The Sociological Imagination), this is what sociology does; it demonstrates the powerful interconnections between private troubles and public issues through the sociological imagination. This is an everyday story of the personal and the public and political which has wider resonance and demonstrates, albeit inadvertently, the power of thinking sociologically.
Find out more
- The Big Issues, by Kath Woodward, Routledge, 2009
- The Sociological Imagination, by C Wright Mills, Harmondsworth, Penguin (1970), 1st edition 1959
- Get The Archers podcast
- Serious Fraud Office help The Archers with their inquiries
- Join the discussion on white-collar crime
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Categories: Deception, Law, Crime, Entertainment



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